Many history blogs
When I started historyjournal.org, I thought there were relatively few people blogging about history. I’ve since learned that there are many such blogs on all kinds of topics. Below are two helpful lists of quality history blogs:
1. Cliopatria’s History Blogroll (Part 1 | Part 2)
2. Top 50 Biblical History Blogs
My current blogroll consists of PaleoJudaica.com (biblical history), Easily Distracted (history and academia), Cliopatria (general history), AHA Blog, and Pedablogue (an awesome blog about pedagogy).
“Dead Sea Scrolls and the Bible” exhibit in Milwaukee
Milwaukee’s Journal Sentinel has reviewed a new exhibit at the Milwaukee Public Museum called “Dead Sea Scrolls and the Bible”. The reviewer applauds the installation, which features objects from Qumran but also many general artifacts from biblical times.
Looking through the photo slide-show attached to the review, I perceive that the exhibit is laid out according to a new style of exhibit display. When I visited the new Abraham Lincoln Presidential Library and Museum in Springfield, IL a few years ago, I noticed that the museum had chosen a fresh approach to museum design. Instead of overwhelming the viewer with a plethora of artifacts and informational plaques, the museum recreated historical environments in each of its varying rooms. One room was Lincoln’s childhood cabin. Another was his funeral visitation room. Each display was artfully lit, engaging, and informative without being overwhelming.
From what I can tell, this style has caught on and the “Dead Sea Scrolls and the Bible” exhibit appears to be equally refreshing. Perhaps it’s time for me to visit Wisconsin again.
“WWII in HD” — transformative and balanced
Gone are the days when the History Channel disproportionately focused on programs about World War II instead of disproportionately fixating on Bigfoot and Mayan prophecies. Until now. History Channel has a new series which stands apart from the network’s bizarre trend of shows about UFOs, astrology, and monster-hunters. “WWII in HD”, a throwback to History Channel’s roots, is a truly innovative series.
“WWII in HD” features almost exclusively rare color war footage. The effect of this is to enliven the 1940s. It feels like watching film from the Vietnam War, which seems more “real” to me because I associate it with color.
The other outstanding element about this series is the dialogue. The show follows twelve American men and women during their service in the war. They are interviewed as elderly veterans, but when the war footage is shown, the interviews transition into voice-overs by younger men and women. This technique is elegantly executed and makes you aware that these aged heroes of an inaccessible age were once the youth of the world. The dialogue is poignant, and the transitional phrases especially are epic.
Finally, the most lasting impression of the series is the footage of carnage. I have heard veterans speak of that shocking aspect of war – the odor of burning flesh, bodies thickly littering the battlefield, disfigured faces. But hearing about it—no matter how vividly told—can not compare to seeing it in color. Short of smelling the awful stench of war, “WWII in HD” portrays the nauseating reality of indiscriminate and grotesque death in battle.
In one episode, President Franklin Roosevelt asks a war correspondent whether he should allow a documentary film about the Battle of Tarawa to be show uncensored to the American public. The reporter, who had been embedded with the Marines in combat, replied that the soldiers wanted the civilians back home to know that the war was not all about victory and glory. The documentary, which featured graphic portrayals of combat, went on to win an Academy Award and significantly increased the sale of war bonds. Like “With the Marines at Tarawa”, “WWII in HD” is a transformative and balanced memorial to the Second World War.
“In Search of King Solomon’s Mines” by Tahir Shah
Tahir Shah is the ideal kind of traveler. While I typically explore a foreign country in a comfortable coach bus with other tourists, Shah travels on a camel with a salt caravan. While I am too self-conscious to speak to the locals, Shah hires an entourage of guides, drivers, and porters to accompany him on every adventure. While I have lodged in all-inclusive resorts (enclaves of America and Europe nestled into Mexico or the Dominican Republic), Shah has been imprisoned for weeks in a Pakistani torture chamber.
Well, that’s going a little too far even for my taste. Tahir Shah, one quickly realizes, is not a traveler of the modern mold. He could care less about wine, golf, and seaside massages. In Search of King Solomon’s Mines, his account of travels in Ethiopia, documents Shah’s quest for the source of the legendary treasure from the First Temple in Jerusalem. Shah is not the first to search for the ancient gold mines of Ethiopia, and his manner of conducting his expedition seems almost naive (he got the idea from an obviously-fake treasure map of Ethiopia that he purchased in a Jerusalem marketplace). But while reading the book, one realizes that Shah is not looking to get rich; he is looking for a story. He travels according to the motto, “adventure is only inconvenience rightly understood”. And any adventure is worthwhile if it proves interesting to recall. So getting ripped off by an opportunistic Israeli merchant is no loss. Shah seems to have relished writing about the experience. Even a counterfeit map, in retrospect, can lead one to treasures of a sort.
Colbert calls for poetry revival
I enjoyed last night’s interview on the Colbert Report of poet Paul Muldoon, especially how Stephen Colbert tried to popularize poetry by reading one of Prof. Muldoon’s works, “Tea”. As Colbert mentioned, poetry is not cool in today’s America. In a country with a strong democratic spirit, perhaps it seems like an artifact of antiquated aristocratic habits. Quote a poem at a social event and you are sure to sound like a snob.
But this decline in popularity is not entirely the public’s fault. I think poetry, like other arts influenced by academia, has evolved to be too cerebral for the public’s taste. And what a shame!
Well-crafted verse, like no other art, has the power to preserve for posterity emotions, the spirit of an age, and even morals. I heard a contemporary scholar criticize Walt Whitman for writing some of his poems in rhyme. But how well Whitman captured the spirit of a historical moment – the national mood upon the assassination of President Lincoln soon after the end of the Civil War – in his rhyming poem “O Captain! My Captain!”! It is rightly so that this poem is remembered above others in the compilation, Memories of President Lincoln, because it not only delivers a powerful message but also does it so pleasurably (one need not overstrain his brain to understand it).
My hope is that poetry does experience a revival. Words beautifully prepared and powerfully spoken are one of life’s greatest joys.
How do we remember D-Day?
Twelve days ago was the 65th anniversary of the American and British invasion of Nazi-occupied Normandy. The events of June 6, 1944, D-Day, are worthy subject matter for an epic poem by Homer himself. As the ancient Greeks landed on the beach of Asia Minor to lay siege on Troy thousands of years ago, so too the Allied soldiers of World War II disembarked from their landing craft, assaulted the German defense bunkers and machine-gun nests, and began the liberation of continental Europe. The Allies even prepared a Trojan horse of their own: deception programs named Operation Fortitude and Operation Bodyguard fooled the Germans into expecting an Allied amphibious assault in anywhere but Normandy.
How do we in the United States remember D-Day? As an expatriate of the former Soviet Union, I had observed in that country a reverence of its victories during World War II bordering on worship. The business of the Soviet people halted every year for Victory Day; parades, recollection, thanksgiving, military pageantry, and storytelling about the war permeated the land. This is not the way we remember D-Day in America. A few newspaper articles buried underneath other headlines and a visit by President Obama to the military cemetery in France sufficed as our annual memorial of this event. There definitely did not seem to be a national spirit of remembrance.
What story will we tell about this epic day in American history? Will it be a Homeric tale of heroes and timeless deeds? For Christians, do the Scriptures – which ascribe all glory to God – preclude us from remembering it in this way? To forget altogether, due to laziness or otherwise, would be a loss to culture. While recently reading Walt Whitman’s poem about the end of the American Civil War, “Spirit Whose Work is Done”, I thought that his invocation could well apply to the memory of this more recent war:
“[. . .] Spirit of hours I knew, all hectic red one day, but pale as
death next day,
Touch my mouth ere you depart, press my lips lose,
Leave me your pulses of rage – bequeath them to me – fill me
with currents convulsive,
Let them scorch and blister out of my chants when you are
gone,
Let them identify you to the future in these songs.”
Noah’s Ark in the Black Sea: an elegant, if flawed, theory
Sometimes a theory about the past makes for such a good story that it is hard to let go of it, even when it proves to be false. When archaeologist Heinrich Schliemann discovered the ancient Greek city of Mycenae, home of King Agamemnon from Homer’s Iliad, he found a beautiful gold funerary mask of a royal. Imagine, if the mask was of Agamemnon himself, to have a portrait – in gold! – of a hero from Homer’s epic story of the Trojan War, where previously only our imaginations colored those characters. Alas, when the mask was dated, it was pronounced a few generations off from Agamemnon, but how beautiful it would have been if it was his.
Another elegant theory of our past is the Black Sea deluge hypothesis. In 1996, geologists from Columbia University William Ryan and Walter Pitman postulated that a massive flood from the Mediterranean Ocean through the narrow Bosporus strait created the Black Sea as we know it today. Over seven thousand years ago, they said, water burst through the strait and rushed into the Black Sea with force 400 times that of Niagara Falls. Many communities living around the sea were wiped out and the stories told of this catastrophe later became the Great Flood myths in the Hebrew book of Genesis, the Sumerian Epic of Gilgamesh, and other ancient narratives. Finding an archaeological counterpart to the story of Noah’s ark is a tantalizing idea. The famous oceanographer Robert Ballard (who discovered the RMS Titanic on the ocean floor) even led an expedition to the Black Sea to test the Black Sea deluge hypothesis.
Unfortunately, the theory, in light of new evidence, seems to be false. In such a case, one would chuck it from memory, if the idea was not so artful. Hershel Shanks, editor of the Biblical Archeology Review comments (according to an uncited quote on Wikipedia) that “if you want to see the Black Sea flood in Noah’s flood, who’s to say no?” I disagree with Mr. Shanks: one should not believe in faulty scientific theories. But the debunking of the Black Sea deluge hypothesis is nevertheless a buzzkill to the imagination.
“The Trials of Henry Kissinger”: a provocative documentary
The Trials of Henry Kissinger is a documentary by Eugene Jarecki, who also directed Why We Fight. This film has challenged my opinion of Henry Kissinger, who I previously admired for his reputation of being a brilliant diplomat. Genius strategist he was, the documentary admits, but Jarecki also makes the case that Kissinger had committed war crimes that resulted in the deaths of many innocent civilians. According to the documentary, Kissinger allegedly sabotaged peace talks to end the Vietnam War in 1968 (resulting in two more years of bloody conflict), authorized illegal bombings of Cambodia (destabilizing the country which led to the Khmer Rouge genocide), and armed the Indonesian army for mass-murder in East Timor, among other atrocities.
Kissinger has never faced trial for any of these charges. Future historians will judge – when more evidence has been released to the public – whether he was in actuality a war criminal who cared for nothing other than his political ambitions. Though Kissinger will most likely die a free, wealthy, and respected man (unlike the Ottoman sultan Beyazit, whose ambitions led to a degrading demise), if he was guilty, he still serves a sentence no criminal can avoid. This is the punishment suffered by Rodion Raskolnikov in Dostoevsky’s Crime and Punishment. The documentary ends with these words:
“I do think that somewhere down deep he knows what he was doing, he knows it was against a lot of first principles, which is why so much is masked and hidden. There’s so much distrust. It’s a very, very sad way to go through your life. Whatever he did, whatever he accomplished, I’m not sure it’s worth it, because he had to live a lot more years. He’s been out of power for a long time: 25 years now. In it’s own way, the reason I don’t worry about war crimes or anything else is he’s got his own sentence, he’s got to live with himself.”
Stephen Colbert is greater than Achilles
A while ago, I was reading Stephen Colbert’s biography on Wikipedia and was impressed by why he decided to become an actor. The article states, “After two years [at Hampden-Sydney College in Virginia], he transferred to Northwestern University’s School of Communication to study performance, emboldened by the realization that he loved performing even when no one was coming to shows.” What a way to live and work! Although Stephen Colbert’s career as a comedian and social commentator is presently monumental, it did not seem to be heading that way when he first started acting. But, choosing to pursue work whose excellent completion was its own reward (detached from other incentives such as money or praise), Colbert truly has lived the good life.
Thoreau, in Walden, writes, “The life which men praise and regard as successful is but one kind. Why should we exaggerate any one kind at the expense of others?” Most people work not to perfect their chosen art but rather to fulfill other desires – for money, women or reputation. The classic example of living in this sort of way is the hero Achilles from the Iliad. His greatness is completely a function of the honor ascribed to him by others. He kills to acquire others’ wealth. He possesses women for the same reason. He amasses this plunder to build his reputation, exhibiting his power before others. He is not self-sufficient in his greatness; he requires others to perceive him as great. To be fair, many people labor for personal motives, such as supporting their family, even though they may not care for the work they do itself. That, too, is noble. But in so much as Stephen Colbert’s work is self-sufficient and done for the love of its own perfection, he is greater than Achilles.
“Defiance” movie intermixes many stories
A few days ago, I watched the movie “Defiance” with my parents. The plot was engaging, the acting was decent, and there were tasteful doses of action, romance, and philosophy throughout. What most captured my imagination about the movie, though, was a theme I mentioned a few days ago: storytelling. Defiance manages to tell, in one film, a Belarusian, Jewish, and American story. Those three happen to be my personal backgrounds (although I am an Eastern Orthodox Christian by faith, I am also ethnically Jewish) so I found myself drawn to all aspects of the film.
I think the overarching story is a retelling of the Exodus narrative: the Belarusian (technically, what is now western Belarus was eastern Poland at that time) Jews are in the wilderness, escaping from their pursuant enemies – the Germans rather than the Egyptians. Tuvia Bielski is a Moses figure and the film even has a modern rendition of the parting-of-the-Red-Sea tale. In addition to the Jewish theme, Defiance glorifies the heroes of the Great Patriotic War, a common Russian motif. Finally, these familiar narratives are packaged into a Hollywood product. I enjoyed this American take on a Russian story (although my friend Mike, also a Russian, loathed the movie for its American clichés). Russian movies are often tragic and lack the redemptive, life-affirming conclusions of American films. Defiance fits the latter mold and follows the Hollywood forumla in other ways too (such as the obligatory love story). All in all, the movie Defiance is an interesting study in how narratives from different cultures can be synthesized to tell a refreshing, if familiar, story.
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