Love of art in the Siege of Leningrad
This first of a series of posts, called “In the Abstract”, are ideas for topics for new history books. Sometimes historians, I think, shoot themselves in the foot by framing their research projects in an uninteresting way. Others, though, do this masterfully and create history books that are engaging, relevant, insightful, and bring the characters and world of another age to life not only for the academic community but for the general public too. Often the path of success or failure begins in the choice of topic. In an effort to sharpen my skills in framing historical topics, I welcome your criticism and comments of my imaginary abstract.
ART is frequently seen as flourish to life for those that can afford leisurely activities. Love of art is something that supposedly dies in people when other, more basic, human needs are not being met. But to a select group of Russian writers, poets, artists, and musicians that lived in Leningrad during the siege of 1941-44 by the German army, the drive to produce new creative work did not vanish. Amid the base struggle for survival in that city under blockade, with starvation, violence, death, cannibalism, terror, and inhumanity permeating their existence, many artists in Leningrad later wrote that they experienced the strongest artistic drive of their lives. There has not been a book in English devoted to their stories. A book about the individuals, meeting places, and creative works that these artists produced (among them Dmitri Shostakovich’s Symphony No. 7–the “Leningrad Symphony”) under the most unpromising circumstances would be a testament to the basic importance of creativity in human life.