HistoryJournal.org

I hadn’t heard of the new movie “True Grit” until my friend Mike called me up to go to the theater a few days ago. Because I was vehemently uninterested in seeing “Tron”, the Coen brothers’ new movie seemed like a good alternative after glimpsing descriptions of shows playing in local theaters.

I saw “True Grit” that evening, and I can’t wait to watch it again while it’s playing on the big screen. The movie was fantastic. I hadn’t heard of the original “True Grit” with John Wayne, nor had I read the novel by Charles Portis on which both movies were based, but I think I appreciated the movie more for having known nothing about it beforehand. If you haven’t seen “True Grit” in theaters yet, I recommend you don’t read the rest of this article.

Stanley Fish of the New York Times has a high-quality article about the religious undertones that he perceives throughout the new “True Grit”. His point is that this movie avoids creating a two-dimensional picture of reality. This is what makes it different from (and perhaps better than) the John Wayne version. Protagonists suffer alongside antagonists, and all display traditional heroic qualities. Reward and punishment for any kind of virtue or immorality, respectively, is not meted out in the way everyone expects; if you have lived virtuously, it is no guarantee that something unspeakably horrible won’t befall you in this world.

And yet “True Grit” is different from the Coen brothers’ earlier Western-style film, “No Country for Old Men”. That film was thoroughly depressing. Evil, in the form of  the cattle-gun wielding character of Anton, stalks every good  person, eventually destroys them all, and leaves nothing redeeming in its wake. “True Grit” has brighter moments.

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